Where Once There Were Jews: Lapy, Poland

The story of Łapy native Sol Rubenstein begins: "The one-story brick house in which I was born on March 2, 1916 stood on the main street in Łapy, Poland, twenty-five kilometers south of the city of Bialystok. Łapy, a small town called in Yiddish "shtetl," was a major railroad crossing for the Warsaw-Vilna line. It had approximately one hundred Jewish families and three-thousand gentile families in 1939. The main industry was government railroad repair shops that employed about 4,000 gentile people. The Jewish population was discriminated against and denied the opportunity to work at the railroad shops. Two of the major streets were Main Street and Railroad Street. The few side streets were no more than alleys inhabited mostly by Jewish residents. Most of the gentiles lived at the outskirts of town in small villages. Each family had a house with two or three acres of land to plant grains, potatoes, vegetables and to raise a few livestock and poultry. Most of the Jewish people were merchants and tradesmen. Each family had the front part of their home as a place of business and the back room as their living quarters. My entire family consisted of uncles, aunts, great-uncles, great-aunts, and their children branched out into ten separate and independent families. Each family had their own home and retail business on Main Street. Their businesses dealt with the farmers and railroad employees...."

Continue to read Sol's story as well as see many photographs of Łapy taken there both before and during the war when the Germans occupied the town. You can find the exhibition "Where Once There Were Jews: Lapy, Poland" by clicking here.

Kristallnacht and the Destruction of the Polish Jews, 1939-43

A powerful film of nearly thirty-four minutes about the time of Kristallnacht and later, between 1928-43 in Poland, when destruction rained down upon the Jewish people.

In this film you will see a combination of archival film and roving scans of still photographs that give one a jarring view of this period.

Included within this film one can see pictures of many Polish synagogues, both interior and exterior; those synagogues that were still relatively intact before their destruction, and those who were destroyed or were in the process of being razed to the ground.

Tomek lists the following towns and their synagogues that are represented in his film. I can't vouch for the fact that each are represented, but it is most likely:

Lodź, Lodz-Litzmanstadt, Białystok, Zambrów, Wieruszów, Markuszów, Koło, Bychów, Biłgoraj, Lubaczów, Lubieszów, Tarnów, Luboml, Biała Podlaska, Jordanów, Częstochowa, Przemyśl, Żółkiew, Grajewo, Grodno, Mława, Równo, Łęczyca, Łaszczów,Tomaszów Lubelski,Knysyn, Tomaszów Mazowiecki, Jonawa, Połock and Czyżew. The link to this film can be found at the very top of the Tomek Wisniewski list.

Be sure to stick around until the very end of the film past the scrolling Polish-language text as the English version of the text will follow.

The March of Time (1937): Poland and War

I am currently watching one of the "March of Time" thirty-minute films (Volume 3, Number 11), this one from 11 Jun 1937, and one part of it is entitled "Poland and War."

In one scene (the segment is less than six mintues long) the film's narrator is talking about the increasing attacks on the Jews of Europe, and they show a number of certificates that I believe are hanging on an office wall in some European town or city, and there are names of Jews printed on these certificates.

I can't say from what city/town these certificates hung--perhaps Danzig, or Warsaw, Galicia, Lithuania, or a town in the Bialystok region, I can't tell from the newsreel footage--but I would be remiss if I didn't pass these names on to you. I can't really read what else is printed on these
certificates, but can tell you the names as they are the largest printing on said certificates.

So then here are the names:

Estera Adlermanowna
Mendla Apfel
Abraham Schwannanfeld
Abraham Selig Rappaport
Wolf Mamber (the second 'm' and 'b' are a bit suspect)
Sarah z Tuchmanow Krebsowa
Leib Schwarz
Gedale Loffler

I'll keep my eyes open for more names, etc. One never knows where one may find a name of interest.

If you'd like to see a complete list of segments of all the "March of Time" films, click here.
To view links to complete "March of Time" segments, including the one mentioned here, click here. To do this, you'll be asked by the website to create a user name and password.

The Synagogue of Lubaczów, Poland

A magnificent synagogue, built in the eighteenth century and rebuilt in the late nineteenth and early twentieth century, the Lubaczów Synagogue was burned down by the Germans between 12 and 15 September 1939. Used in this newest film of Tomek Wisniewski, "The Synagogue of Lubaczów", were photographs taken by German soldiers.

Lubaczów today is located in southeast Poland and was once part of Galicia/the Austrian Empire (until 1918 when Poland was declared an independent state.) At that time Lubaczów became part of an independent Poland.

The film is set to music and is less than ten minutes long. It is composed of slow scans of both the interior and exterior of the synagogue and its surrounds.

You can find the link to the film on the Museum's Tomek Wisniewski Film Series page. The films are listed alphabetically by town association.

Grajewo, Poland: A 2010 Meeting between Pole and Jew

Now available for viewing at the Museum of Family History is a new film of fifteen minutes created by Tomek Wisniewski about Grajewo, Poland. This film includes color film of Grajewo taken this year, scans of old family photos, as well as film taken in Grajewo of a meeting between Poles and Jews on May 18th. The meeting was also attended by members of the Israeli government. An interesting film to see.

If you have any comments about the film after seeing it, feel free to send them to me and I will forward them to Tomek.

You can find the link to this film "Grajewo: Poles and Jews" on Tomek's Museum webpage. The films are listed alphabetically according to town association.

New Zambrow, Poland Yizkor Book Translations Now Available for Viewing

The United Zembrover Society, the lone remaining landsmanshaft society for the town of Zambrow, Poland, has now put online within the Museum of Family History the next installment of its ongoing Yizkor Book Yiddish/Hebrew to English translation project.

Twenty new original pages have now been translated into English and are available for viewing. You can find the Museum's Zambrow Yizkor Book translation project here. The link to the new material can be found at the Project's Table of Contents page here.

Then to read the very latest translation, please click on the link "pp. 90-111."

The Synagogue of Gwozdziec: A New Short Film by Tomek Wisniewski

The seventy-second film created by Bialystok native Tomek Wisniewski and made available at the cyber Museum of Family History is now available for viewing.

The name of the film is "The Synagogue of Gwozdziec" and is fifteen minutes long.

Gwozdziec was part of Poland between the two World Wars.

It was part of Galicia around the turn of the twentieth century.

After World War II, the name of the town was changed to Gvozdets and became part of the Soviet Union.

Today, the town is still called Gvozdets and is part of the Ukraine.

To see this film, please click here.

Update on the Lodz Ghetto Cemetery Database

More names have been added to the list of those buried in the Jewish Ghetto Cemetery of Lodz, Poland, now totaling more than 3,400 burials. More will be added, but not until 2011. Not only does this list contain the names of the deceased and date and age of death, but also grave location, Hebrew name of the deceased and father and more.

The lists are displayed in two different ways, i.e. by cemetery section and alphabetically. One must also scroll across the screen the see the many columns of information available. You can also see the map of the Jewish Lodz Cemetery here and note the section number that corresponds to the individual sectional lists provided to you.

To select your preferred method of search, go to www.museumoffamilyhistory.com/ce/ghetto/lodz-ghetto-cemetery.htm and use the links provided.

Each webpage contains a photo of the cemetery, cir 1940-1944 that you might not have seen before.

This burial list is part of an upcoming online Museum exhibition entitled "The Jewish Ghetto" which will go online sometime this summer.

Seven New Films for You from Tomek Wisniewski of Bialystok

There are now a total of ten short films of Tomek Wisniewski being shown at the Museum of Family History. I have announced three so far, and seven new ones are ready for you to view. Most of them have interesting instrumental music to go along with the film's scenes.

These new films include:

1. Of Bialystok, Poland:
--"Once Upon a Time in Bialystok," a very interesting film that takes you back to the Bialystok of the interwar period. Thirty minutes long.

--"The Kaufman Brothers", one of whom was Boris Kaufman, the cinematographer for "Twelve Angry Men" and others. The brothers were all natives of Bialystok.

--"A Yiddish Song in Bialystok." A large group gathers in Bialystok in 1940 to hear a couple sing what seems to be a Yiddish song. Can anyone identify the song by name? If so, please contact me privately. More films of Bialystok are to come, including a film about the Warner Brothers (also from Bialystok).

2. Of Zabludow, Poland:
--Two films of the Zabludow Synagogue, scans of photos of the interior and exterior of the synagogue, cir 1927.

3. Of Kossovo, Belarus (pre-1939, Kosow Poleski, Poland):
--"Berteza Kartuzka: The Street That is No More, 1916"

4. Of Minsk, Belarus:
--"Jewish Minsk." While watching this film, you can imagine you are walking or in a horse and buggy down the streets of Minsk as Tomek scans across a few of his very old photographs of Minsk. Also photographs of the synagogue complex and the Choral Synagogue.

You can access these films, as well as the previous films announced, on the webpage I've created listing Tomek Wisniewski's films at www.museumoffamilyhistory.com/tomek/films.htm .
Enjoy!

ERC Educational Program: "Through the Eye of the Needle - Fabric of Survival"

The Museum of Family History both develops its own and supports the educational programs and activities of other individuals and organizations. One such external education activity comes to the Museum via the children of Esther Krinitz, whose exhibition of lovely embroideries of scenes of her former home in pre-war Europe can be found among the Museum's "Reflections of Memory" sister exhibitions.

Sisters Bernice and Helene grew up with the stories of their mother Esther's courage and suffering as a child during the Second World War. Years later, after their mother began to turn her stories into a narrated series of fabric art pictures, they realized that art and story combined had enormous power. They believe that together, art and story could help people understand not only what war and intolerance are, but also how it feels to those who endure them.

The primary goal of their Art and Remembrance's educational programs is to open the minds of school-age children to the powerful experiences of victims of social injustice, as narrated through art. Through guided study on the works of A&R artists, students will be encouraged to reflect upon and gain a greater understanding of important issues such as cultural diversity, prejudice, the Holocaust, and other historical and contemporary manifestations of racism. Through the study of narrative art, A&R also hopes to empower children to share their own stories, and to learn about various techniques that will enable them to do so through art.

You can find their educational activity by clicking here.

The Yizkor Book of Zambrów, Poland: The English Language Version

The United Zembrover Society would like to welcome you to its English translation of the Zambrów Yizkor Book, or Book of Remembrance. The UZS is one of a dwindling number of still-active landsmanshaftn (mutual aid societies), more than one hundred and thirty members strong. Most all of its current members are proud descendants of Zembrovers. They each feel a need to stay connected to their heritage, and because of this meet twice per year in New York City to share their common bond, to do what they can to preserve the memory of their beloved family members and "ancestral town." The UZS is still going strong, more than one hundred years after it was first established.

The Zambrów Yizkor Book was first published in 1963 by the combined societies of those who were descended from the Jewish community of Zambrów, Poland. Zambrów was a once-vibrant community which, like so many Jewish communities that once existed in Europe, was wiped out by those who once sought their complete annihilation. These descendants of Zembrovers-- both those who were born and once lived in Zambrów, as well as those who were their progeny -- at the time of publication lived in various parts of the world such as the United States, Israel and Argentina.

This Yizkor Book does an excellent job in preserving the memory of the past history of Zambrów town, from its origin and the first sign of Jews in the community (at least in the early seventeenth century), to its presentation of a plethora of accounts of various aspects of Jewish life there. Colorful descriptions of many personages of Jewish faith who once populated Zambrów make for excellent reading.

This English translation project is projected to take from three to as many as five years and is fully funded and driven by the United Zembrover Society. After each translated section has been read, proofed, edited and proofed once again, it will be added to the current translation. When finished, the Society hopes to create hard copies, bound books available by purchase by its members or anyone else who wishes to learn more about the history of Jewish Zambrów.

The Yizkor Book translation is just one aspect of the Museum's World Jewish Communities permanent exhibition. You can learn more about what other material of interest exists at the Museum about Zambrów by visiting the World Jewish Communities Zambrów at www.museumoffamilyhistory.com/wjc-zambrow.htm .

You can read the Zembrover Yizkor Book in English, i.e. what has been translated to the present day, by visiting www.museumoffamilyhistory.com/z/zyb-01.htm , or simply use the link provided on the World Jewish Communities Zambrów page.

Memoirs of a Lida Partisan and the Bielski Unit

The original Hebrew language memoir of Chaim Basist of Lida, Belarus (once part of Poland), has now been translated into English and is available online for the first time at the Museum of Family History.

"The Story of the House of Plotnik-Monco-Basist" is a gripping tale in detail of family genealogy in Lida, Belarus and its environs and the Holocaust. Chaim Basist's story includes the hiding in the forests with the Bielski partisans of he and his family, and once surviving finding a permanent home in the new land of Israel.

The full English translation, as well as the original Hebrew version, can be found within the Museum's exhibition "Walk in my Shoes: Collected Memories of the Holocaust." The memoir can be found at www.museumoffamilyhistory.com/wims-basist-01.htm. A link can be found there for the Hebrew version.

New Video Clips for Four Jewish Documentaries

The Museum of Family History has recently introduced four new film clips to its Screening Room:

--The Warsaw Ghetto 1940-1943 is documentary project that features three films. The main film is 912 Days of the Warsaw Ghetto (37 min.), and the two short ones are Children in the Ghetto and Warsaw Ghetto Uprising. These films were created for the Jewish Historical Institute as part of its permanent exhibit on the fate of Warsaw's Jews during the period from 1939 to 1945. They present the daily lives and deaths of those imprisoned in the ghetto, their hopes and efforts to survive, their armed resistance and struggle, and finally their total extermination. Unique Polish and German archival materials were used in the preparation of these films.

To see the film preview, simply use the link for film no. 24 that can be found within the main Screening Room page by clicking here.

--Paint What You Remember: Mayer Kirshenblatt left Poland for Canada in 1934. Fifty-six years later, at age seventy-three Mayer began to paint his childhood memories of prewar life in Opatów. Before Second World War Opatów (or Apt in Yiddish) had ten thousand inhabitants, more than half of them Jewish. Nowadays, little is remembered of the shtetl character of the town and of its Jewish population wiped out entirely by the Holocaust.

In this film the audience is taken on a journey through a world, which existed seventy and eighty years ago, and back to today's world. We witness how the local population in Opatów interacts with perhaps the first Jew they ever meet – a person who represents a heritage so central in the history of the place, and yet so obscure to the people who live there today. Just as the people of contemporary Opatów, the viewer are introduced to a rich and vibrant world of Jewish rituals, celebrations and sorrows, holidays and funerals, trade and poverty – all this told and painted by an eye-witness, one of the very few remaining descendants of a lost civilization.

Sadly, Mayer passed away this past year, but his life and his passion for recreating the shtetl life that once existed in Opatów lives on in not only the aforementioned film of his work, but also within two exhibitions the Museum has created. Please visit both the Museum's main Kirshenblatt exhibition, as well as his work relating to the Jewish holidays.

--Tell Me Why: What one thing that is most difficult to discuss, and which happens to only so few of us... love. We dream of it, we struggle to find it... and want to believe that if we only do, the world will become a better place. But what if love comes to us at a time we ought to forget? What happens when love is intimately linked with tragedy?

A Polish Jew, Jurek Kamieniecki was just shy of 20 when the Second World War broke out in Poland. Together with his wife Stella they managed to survive the first year of the German occupation with the help of their Polish friend Janusz Malinowski. Janusz helped Jurek enter the Polish Home Army (AK) resistance and provided him and his family with false IDs. Thanks to this, in early 1940 Stella found asylum in the territories occupied by the Soviet Red Army. Though Jurek managed to illegally cross the border to see his wife, he chose to go back to the Polish partisan troops and continue resisting Nazi occupation.

To read more of the film's synopsis and see the film clip, please
visit www.museumoffamilyhistory.com/sr-27-tell-me-why.htm.

--The Last Witness: The documentary spins a tale of Samuel Willenberg's life. He was twenty at the outbreak of the armed revolt on August 2nd of 1943 in the death camp of Treblinka in Poland. As a result of the revolt four hundred out of a thousand inmates managed to escape Treblinka. Sixty-seven of them survived the war. The narrative, however, is here and now, against the background of today's Poland and Israel.

There were only three armed mutinies in the history of Nazi death camps. The first one was in Treblinka, the second one in Sobibór on October 1943 and the third was in Birkenau (Brzezinka) in October 1944. The mutinies were caused by the world's indifference towards the Holocaust. Claude Lanzman told the Sobibór revolt story in his "Sobibor". The ‘Last Witness’ is the first film to tell the story of the Treblinka revolt. You can see the video clip at www.museumoffamilyhistory.com/sr-28-last-witness.htm.

New for Poland Researchers

For those of you with an interest in the Polish towns of Augustow and Wizna, please visit the two pages I've created for these towns.

On the Augustow page you will find two calendars published by the Yagustower Progressive Association (W.C. Branch no. 77 from 1919 and 1925).
link: www.museumoffamilyhistory.com/lndsmn-augustow-01.htm .

On the Wizna page you will find an image of a pin created by the society for its members. You'll also see the photos of the gates of the society's burial plots in New York and New Jersey with a link to the unique surnames list for Wizna for all New York and New Jersey Wizna society burials. www.museumoffamilyhistory.com/lndsmn-wizna-01.htm .

Don't forget that the Museum has a page that lists the towns in Poland that are associated with the many online exhibitions at the Museum. Link: www.museumoffamilyhistory.com/poland.htm .
Also for the area of Bialystok www.museumoffamilyhistory.com/bialystok-region.htm.
There is also a Lithuania page at www.museumoffamilyhistory.com/litvak.htm .

Other recent additions mentioned in previous blog posts:

The Lodz Ghetto Cemetery Burial List:
www.museumoffamilyhistory.com/ce/ghetto/ghetto-xyz.htm .

From Kishinev to Bialystok: A Table of Pogroms From 1903-1906:
www.museumoffamilyhistory.com/ajc-yb-v08-pogroms.htm .

Instructions Imprinted on Letter Cards sent from Concentration Camps:
www.museumoffamilyhistory.com/ce/cc/cc-instructions.htm .

Through the Eye of the Needle: Fabric of Survival--An Exhibition of the Art of Esther Nisenthal Krinitz

Esther Nisenthal Krinitz, along with her sister Mania, were the only members of their family, and among the few Jews in their Polish village, to survive the Holocaust. At the age of fifteen, Esther refused the Nazi order for the Jews to report to a nearby railroad station for relocation. She and her sister separated from their family and never saw them again.

In 1977, at the age of fifty, Esther began creating works of fabric art to depict her stories of survival. Trained as a dressmaker but untrained in art, she created a collection of thirty-six needlework and fabric collage pictures in strong, vivid colors and striking details with a sense of folk-like realism. Meticulously stitched words beneath the pictures provide a narrative. While the pictures are visually pleasing, almost cheerful, a closer examination reveals the stark incongruity between the pastoral surroundings and the human violence, terror and betrayal that are their subjects.

Bernice Steinhardt and Helene McQuade, Esther's two daughters, have honored their mother's life and memory by creating a website called Art & Remembrance, which is designed to help combat racism and social injustice. The Museum of Family History proudly presents all three dozen of Esther's works, replete with Esther's own words as well as sound narrations provided by her daughters.

In addition to this gallery of Esther's works, you will also find within the Museum's Education and Research Center an educational aspect of her exhibition. The introduction to the educational aspect of the exhibition is presented to you by the Museum, with links provided to their Art & Remembrance website that are necessary to fully partake in this exercise, including a thirteen-minute interview with Esther who talks about her life in her hometown in Poland.

This exhibition, along with that of artists Mayer Kirshenblatt and Martin Kieselstein, join the exhibition of renown artist Max Weber under the umbrella of "Reflections of Memory: Jewish Expression Through Art," which in every case will display the products of creativity and thought based on the author's experience, whether it be for instance from the experience of living in a small town in pre-war Europe or by surviving the Holocaust.

You can see the introduction to the "Reflections of Memory" exhibition by visiting www.museumoffamilyhistory.com/rom.htm . Just visit the Table of Contents for the links to each of the four exhibitions.

Exhibition of Esther's work: www.museumoffamilyhistory.com/ce/krinitz/krinitz.htm
Educational activity: www.museumoffamilyhistory.com/ce/krinitz/erc-krinitz.htm

A Memorial Book from Telekhany

In 1932 a memorial book was created, mostly of views of the town of then Telechany, Poland, now Telekhany, Belarus. For those of you with an interest in this town, or for those of you who would like to see more than ten views of Telekhany as it appeared in 1932, please visit this small exhibition.

The introduction to this memorial book reads:

"This album reminds us of our old, forgotten home. It's good to take an occasional look at the past, but it's certainly hard for each of us to make the trip to Europe. Here we're sparing you this [journey] by bringing you pictures of Telekhany and your friends and close ones. That's why, dear friends, you must buy this remembrance book. The money you pay for the album will help your relatives and acquaintances.

Be united, landsleit, because a united body can accomplish a lot."

The memorial book for Telechany can be found at www.museumoffamilyhistory.com/ce/telekhany/telekhany.htm.

Paint What You Remember: The Memories of Mayer Kirshenblatt of Opatów, Poland

Mayer Kirshenblatt left his hometown of Opatów, Poland in 1934 at the age of seventeen for a new life in Canada. With him he not only brought some of his physical possessions, but also a storehouse of memories that he would carry with him bittersweetly for many decades to come. Thanks to his daughter Barbara Kirshenblatt-Gimblett and his wife, both of whom urged him to put to canvas what he remembered, Mayer took up painting in 1990, and to date has created more than three hundred paintings, each one a memory of life in a town that once contained thousands of Jews and that he called "home."

In two "sister" exhibitions we will hear from Mayer and see dozens of his paintings (acrylics on canvas) that deal with his family life, as well as the Jewish communal life that existed in his hometown (in Yiddish called "Apt") in the 1920s and 30s. He will also talk about Shabbat, as well as a number of other Jewish holidays. By seeing his works and by hearing him tell his story in his own words via nearly twenty audio clips, a wonderful picture is painted for us of what life was like in Opatów for the Jews who once lived there.

Mayer says that "every Jewish town is the same," so perhaps we wouldn't be taking liberties to imagine that our families, our ancestors who also lived in Europe at one time, in a town also populated with thousands of Jews, might have very well lived in a town just like this one.

If a visitor to these exhibitions once lived in pre-war Europe, perhaps Mayer's paintings and accounts of life there might evoke similar or other long forgotten memories. That would be something!

Perhaps Mayer's works will compel us to think about our own Jewish upbringing and the neighborhoods we once lived in. How was his life in Poland similar to our own, and how was it different? How was living in a Jewish community such as Apt similar to living in a Jewish neighborhood, among the tenements or brownstones of Brooklyn or perhaps on the Lower East Side of the 1930s, 40s or 50s?

Maybe after viewing these exhibitions you will consider drawing or painting the memories of your own childhood, writing them down for posterity, or at the very least telling these precious stories to your children or grandchildren.

You can visit the first exhibition, "Paint What You Remember: The Memories of Mayer Kirshenblatt" at www.museumoffamilyhistory.com/ce/kirshenblatt/kirshenblatt.htm. Included within this exhibition are many sound clips and three video clips from YouTube.

You can visit the second exhibition which is now part of the larger "Shabbat and the Jewish Holidays" exhibition at the Museum, containing photographs of Mayer's paintings and the artist's comments at www.museumoffamilyhistory.com/ce/kirshenblatt/jholidays-kirshenblatt.htm.

Your comments are always welcome, though please send them via the Comments feature of the blog.

The Jew in Europe, 1937

Adolf Hitler became Chancellor of Germany in 1933. From that point to the beginning of World War II, life for the Jew in Europe became increasingly difficult, especially for the Jews of Germany.

Each European country affected by Hitler's views on the Jewish people and the anti-Semitism that continued to grow manifested this anti-Semitism in different ways. Actions were taken and laws were passed that were meant to restrict and isolate the Jew in such a way as to make any kind of 'normal' life impossible.

This article, presented to the public by the Brooklyn Daily Eagle in late October 1937 in successive editions, came from Associated Press reports from three locations: Warsaw, Vienna and Berlin. Each of these three reports gives the reader an idea of what the Jewish citizen in Europe was forced to deal with during the nearly two years up to the Second World War.

The article can be found at www.museumoffamilyhistory.com/as-jews-in-europe.htm.

The Museum of Family History in Bialystok, Poland

This past September 4th, the Museum of Family History made its presence known at the Białostocki Ośrodek Kultury (Bialystok Cultural Center). A Polish language version of its online exhibition, "Max Weber: Reflections of Jewish Memory in Modern American Art," was presented as part of a larger exhibition honoring Jewish artists who once lived in Bialystok as Weber did as a child.

The Polish version of the Museum's Weber exhibition was presented during the Bialystok Cultural Center's opening ceremony for their own larger Weber exhibition. Each page of the Weber exhibition was shown on a large screen by means of a projector, and after the presentation, the attendees were provided with the Internet address of the Museum's Weber exhibition so that everybody could read about Max Weber in the privacy of their own home. More was said about the artist by presenter Joanna Tomalska, who emphasized his significance for the city of Bialystok, the city in which he was born. Ms. Tomalska also presented Max Weber's artistic works from the viewpoint of the art historian.

More on this exhibition will be presented at the Museum of Family History at some time in the future, perhaps including audio (in Polish) and perhaps a video clip or two of the presentation.

The English version of the Museum of Family History's Max Weber exhibition can be found at www.museumoffamilyhistory.com/mweber-01.htm .

Here are two links to articles (in Polish) about the Bialystok Cultural Center's Weber exhibition:

http://www.wiadomosci.bstok.pl/?news=1944
http://www.bialystok.jewish.org.pl/page3.html

"The Peretzniks (Perecowicze)": A New Film About a Jewish School in Lodz, Poland

The Museum of Family History would like to announce its twenty-second preview of films of interest to the Jewish people.

The Peretzniks' Polish premiere screenings took place in Lodz on August 29, 2009, at the Nowy Theater, during the 65th Anniversary of the Liquidation of the Litzmannstadt Ghetto and in Warsaw on September 2 at The Jewish Theater during the 6th Festival of Jewish Culture "Singer's Warsaw."

The film tells the story of a Jewish school in Lodz, Poland. The school was closed down following the Communist anti-Semitic campaign, which took place in Poland in 1968. As a result of this, the Peretz School graduates are dispersed today between the US, Israel, Sweden, Poland, and other countries. The bittersweet memories of their youth in post-war Poland is what binds the Peretzniks together till this day.

The events of March '68 are still somewhat obscure in Poland. The political background is known, as are the film archives, and press coverage. However, little is known about how it was to grow up in Poland of the sixties as a Polish Jew, or as a Pole of Jewish origin. How it was to be a kid in the heart of a country still recovering from a horrific war, in a family severed by the Holocaust, and then to come of age and experience first loves at the outbreak of the disturbing March events. The experience of the 'Peretz School' pupils in Lodz in some way reflects the experience of the Jewish minority in Poland in the 50s and 60s of the previous century. It is the experience of adolescents nevertheless, who were much more interested in the Beatles than they were in politics. It was the latter, however, which caused for most of them to scatter all over the world, creating a peculiar phenomenon of a Polish-Jewish Diaspora integrated today in so many countries' identities.

You can view the film clip by clicking on www.museumoffamilyhistory.com/sr-22-peretzniks.htm .